6 février 2008
SURFIGURATION
Le regard de Clovis Cornillac, qui paraît analyser impitoyablement le spectacle du déjà-vu qui se trouve devant (ou derrière?) le spectateur, n'en est que plus lourd de sens, mais l'ensemble du portrait de Clovis Cornillac nous renvoie à une histoire de la peinture dont il n'est que le prétexte.
Paul Bassot
Her regard, which seems to be analysaing pitilessly the scene of the déjà-vu that is taking place front of the spectatator (or behind?), is only the more full of import. But the entirety of the Clovis Cornillac's portrait thrusts us up against a story of painting for which he is merely the pretext.
Her regard, which seems to be analysaing pitilessly the scene of the déjà-vu that is taking place front of the spectatator (or behind?), is only the more full of import. But the entirety of the Clovis Cornillac's portrait thrusts us up against a story of painting for which he is merely the pretext.
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